The SIT Furniture Design Award, a prestigious platform celebrating excellence in furniture design, is thrilled to announce the addition of three acclaimed design leaders to its distinguished jury: Fereshteh Haji Gholami, Richie Moalosi and Javier Palomares. Their expertise and global perspectives further strengthen the award’s mission to champion creativity, innovation, and accessibility within the international furniture design community.
Fereshteh Haji Gholami is an award-winning architect, interior designer, and university lecturer with an impressive track record of 13 international design awards. She holds a degree in Architecture and Sustainable Design from UPM University in Malaysia and is the founder of KIOSKedia International Academy and KIOSK International Magazine. Her design expertise spans architecture, interior design, furniture, and lighting product design.. A passionate advocate for sustainable design, Fereshteh conducts research on energy efficiency and environmentally responsible architecture and industrial design. She also leads international workshops, seminars, and exhibitions, promoting design excellence worldwide.
Richie Moalosi is a Professor of Industrial Design and the founding Director of the Innovation Centre at the University of Botswana. With over 20 years of teaching experience and a PhD in Industrial Design from the Queensland University of Technology in Australia, Moalosi brings deep expertise in design and cultural innovation. Moalosi collaborates with small businesses, creative industries, and start-ups, helping them develop products, brands, and innovative services – key drivers of the creative economy in Africa and beyond. An accomplished author and speaker, Moalosi has published extensively in international peer-reviewed journals and presented at leading design conferences. He is a fellow of the Pan Afrikan Design Institute and serves as an advisor to the Don Norman Design Awards.
Javier Palomares, based in Pasadena, is the Principal of Curve Ahead Design and a Professor of Product Design at ArtCenter College of Design. A graduate of ArtCenter, he blends craftsmanship with innovation in his work, which has been showcased at events such as High Point Market and Dwell on Design. His conference table design earned Gold at NEOCON, one of the industry’s most prestigious honors. Javier is also passionate about incorporating Artificial Intelligence into design, exploring its potential in prototyping and material visualization. Alongside his practice, he mentors graduate students at ArtCenter, encouraging a human-centered approach to design.
They are joining an already stellar jury featuring Alain Gilles, Founder and Lead Designer at Alain Gilles The Studio, Christina Chen-Chiao Kuo, Creative Director and Founder of Kuuo Living Limited, Bo Zhang, Artist and Chief Designer at Desz Office, Niko Kapa, Design Director of Studio Niko Kapa, Steven Yeung, Founder of Kar, Zhou Yi, Chief Designer at Dayi Design, Lilian González-González, Industrial Design Academic Coordinator at Anáhuac University and Board Member at the World Design Organization, Jing Ju, Design Director at JUJU Studio, Nima Bavardi, Head of Industrial Design Department at KIOSKedia International Academy and Magazine, Stella Hernandez, Assistant Professor in the Environmental Design Department at ArtCenter College of Design, Robyn Self, Founder and Director of Plan-IT Design and IID – The African Institute of the Interior Design Professions, Christoph Guenther, Product and Interior Designer at Dutch East Design, and Sébastien Maleville, Co-Founder and Creative Director at Essential Studio. A full list of the distinguished jury can also be viewed on the website.
“We’re thrilled to welcome Fereshteh, Richie and Javier to the jury,” says Astrid Hebert, Program Director of the SIT Furniture Design Award. “Their global outlook and design expertise will be invaluable in recognizing the most creative and innovative furniture designs. This year’s competition is shaping up to be truly remarkable!”
The SIT Furniture Design Award is now accepting submissions for its annual competition – but time is running out. Furniture designers at every stage of their career are encouraged to submit their work by April 20, 2025. Don’t miss this chance to gain global recognition – visit the sitaward.com to learn more and apply today.
Introducing the SIT Furniture Design Award 2024 Catalogue, a collection of winning designs in furniture and interior design. This catalogue celebrates the winners of the fourth edition of the SIT Award, both established professionals and emerging talents showcasing their innovative creations and pushing the boundaries of form and function. Additionally, the catalogue features exclusive interviews with the “Designers of the Year”, offering unique insights into their creative processes and inspirations.
The catalogue is available to purchase on Amazon and can be downloaded on the SIT Furniture Design Award website.
Explore the future of design through the visionaries shaping it today!
SIT Furniture Design Award, a prestigious international platform dedicated to celebrating brilliance in furniture design and Interior Design, is delighted to announce that submissions for its 5th edition are now open. With a global reach and a mission to recognize, celebrate, and promote exceptional furniture maker, interior designers, brands, manufacturers, emerging talents, and visionaries, the Award honors those who enhance our daily lives with their vision. Focusing on the concept of “Seat and Beyond,” the SIT Furniture Design Award celebrates the strategic thinking, imagination, and creativity that are instrumental in crafting remarkable furniture pieces. Encouraging designers to push the boundaries of design and explore new possibilities, this program sets the stage for global recognition and appreciation of exceptional talent.
“Awarding excellence in furniture and interior design, we’re thrilled to announce the 5th edition of the SIT Furniture Design Award,” said co-founder Astrid Hebert. “With over 400 outstanding submissions last year, we can’t wait to see this year’s entries, especially those championing sustainability. We look forward to celebrating innovative, eco-conscious designs that inspire the future of our industry.”
The jury panel of the SIT Furniture Design Award is composed of influential professionals renowned in the global design community. Alain Gilles, Founder and Lead Designer at Alain Gilles The Studio, brings his innovative approach, while Bo Zhang, Artist & Chief Designer at Desz Office, contributes his visionary perspective. Niko Kapa, Design Director at Studio Niko Kapa, offers his expertise, alongside Christina Chen-Chiao Kuo, Creative Director & Founder of Kuuo Living Limited, Nataly Bolshakova, Founder and Lead Designer of Bolshakova Interiors, Steven Yeung, Founder of Kar, and Zhou Yi, Chief Designer at Dayi Design. Lilian González-González, Industrial Design Academic Coordinator at Anáhuac University of México and Board Member of the World Design Organization, enriches the panel with her academic and international perspectives. These experts, alongside other distinguished members, bring a wealth of experience and diverse perspectives to ensure a thorough evaluation and recognition of excellence in furniture and interior design.
The award is open to submissions on a global level, welcoming entries from designers and emerging talents from all corners of the world. Whether conceptual designs, works in progress, or completed projects, SIT Furniture Design Award invites professionals and students alike to showcase their vision and craftsmanship.
To seize this exciting opportunity, designers are encouraged to submit their entries before the September 8th, 2024 early bird deadline and enjoy a 10% discount, making it the perfect chance to showcase their remarkable designs at reduced costs. From seating and lighting to tables, homeware, and outdoor furniture, the award celebrates diverse design expressions. For further details regarding the submission process, evaluation criteria, and important dates, please visit the SIT Furniture Design Award website at sitaward.com.
Can you tell us a bit about yourself and your background? How did design come to have such an important place in your life? I graduated from Art Center College of Design last year, and currently, I work as an industrial designer based in the Bay Area. Before delving into industrial design, I spent a year studying fashion design, which has deeply influenced my approach to product design. My understanding of color and materials stems from my foundation in fashion. Growing up, my mother ran an art academy where I was exposed to numerous drawings and paintings. We often drew together, forging a strong bond that made art a meaningful part of my life. This experience inspired me to aspire to design products that evoke positive memories, carry profound meaning, and endure over time. Can you elaborate on the concept behind the design of the Otto Lounge Chair? With the shift towards remote and hybrid work becoming the norm, the boundaries between work and personal life have become less clear. I aim to integrate elements that evoke warmth, comfort, and a sense of home into office environments, thereby enhancing the workplace experience. On the other hand, for home settings, I propose solutions that support efficiency and productivity, addressing the common challenges of distractions that often accompany remote work. Can you walk us through the design process? How did the design evolve from your initial idea to the final product? I had initially considered creating furniture suitable for both office and home environments. However, I ultimately decided to move forward with designing a multi-functional lounge chair that could seamlessly transition between these two settings. The initial sketch lacked the soft curvature and cushioning I envisioned, so I dedicated considerable effort to refining its form. This process began with a small-scale cardboard mock-up and progressed to a precise 3D-milled prototype to achieve the desired shape. I particularly focused on ensuring that the wooden elements connecting the cushion and table components complemented the overall design cohesively. How does the Otto Lounge Chair address the need of hybrid living spaces in a post-pandemic world? Otto is a versatile lounge chair designed to offer comfort and functionality that align with evolving lifestyles. With more people working from home and blending their living and working spaces, Otto serves as a multi-functional piece of furniture. Its pivot table feature makes Otto ideal for adapting to the flexible and multifaceted demands of hybrid living spaces, where seamless transitions between work and relaxation are increasingly important. Can you discuss the pivoting table feature and how it perfectly incorporates user needs into the design? The pivot table is a pivotal feature of Otto, carefully tailored to meet user needs. This feature enables Otto to function as a compact workspace for laptops or documents, enhancing productivity in home office settings. What sets it apart is its dual functionality—it can also function as an armrest when not actively in use. 
Can you elaborate on the choice of materials and how they made the cut? I believe the standout feature of Otto lies in the wooden pieces that connect the cushions. I aimed to select a material that could not only create iconic pieces but also harmonize with any environment. Therefore, wood was a natural choice due to its ability to blend seamlessly into various spaces. These pieces were CNC milled to achieve the precise forms required. What were some of the challenges you faced while designing the Otto Lounge Chair? What did you learn from the process? Of course, I spent a lot of time refining the proportions. Since this was my first experience making furniture, I initially lacked knowledge of furniture construction. However, with excellent guidance from class instructors, I learned how to construct and assemble a frame structure. Furthermore, through communication and learning from upholsterers, I was able to overcome these challenges. Congratulations on winning the SIT Emerging Furniture Designer of the Year award! What is next for you and your studio? Are there any new designs you’re working on that you can tell us about? Thank you! It’s truly an honor to win the award, especially the title of Emerging Furniture Designer of the Year. Since graduating, I’ve been gaining valuable experience at a design agency, where I’ve had the opportunity to work on various products. While I don’t have immediate plans for new designs, I look forward to pursuing personal projects in the future, where I can apply the skills I’ve acquired in the industry so far. Please stay tuned for what’s to come. What advice would you offer to new designers entering the field? Since there are tons of furniture out there, With countless furniture options available, it’s essential to think about how your design can be differentiated from the other. As a designer, I believe it’s crucial to not only focus on aesthetic appeal but also to understand and cater to the evolving behaviors and environments of people. Learning from others and asking as many questions as possible are invaluable in this process. I continue to learn new things every day, recognizing that learning is a continuous journey without end. VIEW ALL WINNERS. Welcome to an exclusive interview with Lucas Fialho Caramés, the brilliant mind behind the Poty Armchair, which has won the SIT Furniture Design Award for Furniture Design of the Year. Lucas’s design merges contemporary comfort with traditional elements, resulting in a piece that is as visually captivating as it is comfortable. The Poty Armchair, inspired by the rich craft culture of the Delta Parnaíba, features a solid wooden structure and generous upholstery. Its standout feature is the carnauba straw weave that elegantly encases the armchair, showcasing the exquisite craftsmanship of the region.
This intricate weave enhances the armchair’s aesthetic appeal and celebrates the artisanal heritage of the local community. Each detail reflects the skilled artistry passed down through generations, creating a profound connection to the cultural fabric of the area. The juxtaposition of solid wood, soft upholstery, and handcrafted weaving results in a piece that offers both physical comfort and a tactile, visual experience rooted in tradition.
The Poty Armchair is a celebration of cultural roots through modern expression, exemplifying Lucas’s philosophy of creating meaningful designs that tell stories and elevate everyday experiences.
Lucas Fialho Caramés, a graduate of Architecture and Urbanism from the Catholic University of Brasilia, also studied Furniture Design at The FIDI. His studio, Lucas Caramés Authorial Design, is a Brazilian brand dedicated to minimalist and contemporary reinterpretations of Brazilian modernist furniture. The studio’s mission is to create designs imbued with stories and meanings, offering a unique, contemplative perspective that transforms everyday life while honoring collective heritage.
Join us as we delve into Lucas’s journey, his inspirations, and the remarkable creation that is the Poty Armchair.
Lucas Fialho Caramés
Can you tell us about your background and what led you to a career in design?
I live in Brasília, but I was born and raised in Salvador, Bahia. I have always had a great appreciation for visual arts and drawing, and I think that’s where the spark for my journey in architecture and design began.
As the son of an architect mother, I was always encouraged to express my ideas and creativity, no matter how—whether through drawing, crafting, or making home movies with my parents’ old VHS camcorder.
My relationship with architecture has existed since a very early age, but never in such a direct way. My mother, being an architect, greatly encouraged me to be creative, but she did not directly influence me to become an architect. It ended up being a healthy and natural choice.
I always wanted to study something that would allow me to exercise my creative side, and I saw in architecture a sea of possibilities. However, it was only five years after graduating that I delved deeper and truly discovered the world of product design. Since then, I have found a passion.
Can you elaborate on the vision behind the Potty Armchair? What was its major inspiration?
Poty is inspired by the exuberant Artisan Culture of the Parnaíba Delta and brings a unique fusion between contemporary comfort and traditional local elements, incorporating the distinctive craftsmanship of the region and drawing inspiration from its local biodiversity. The collection incorporates natural elements and unique characteristics of the coastal ecosystem, providing a harmonious blend of functionality and aesthetics.
Can you walk us through the design process? How did the design evolve from your initial idea to the final product?
It all started with the idea of working with metal structures and representations that were closer to the reality of the references used. However, studying the location and its cultural history led to the evolution of the design conception towards warmer, more natural materials. The substitution of metal for wood gave the collection a new significance and connected it even more with the concept.
Photo Credit: Marcelo Calil
The celebration of craftsmanship is a big part of the Poty Armchair, can you delve deeper on how the Poty Armchair reflect the cultural heritage of the Delta Parnaíba region?
Poty is a celebration of the past and present, where contemporary design meets tradition, creating a lasting connection between the furniture and the local culture of the Parnaíba Delta. Additionally, Poty seeks to raise awareness about the importance of preserving mangroves and similar ecosystems. In this way, it not only enriches the environment but also serves as a visual reminder of the need to preserve and appreciate the natural diversity that inspired its creation.
Can you tell us about the main challenges you faced while creating the Poty Armchair? What did you learn from this process?
The initial idea of the project was to exchange ideas and connect artisans during the execution of the project. In this regard, we faced some difficulties in making this production feasible in a state far from where I live today. The solution was to utilize local artisans and labor who could do justice to the story being told and honor the culture of Piauí, paying tribute to and expressing gratitude for the cultural enrichment the region has provided me.
Was sustainability a factor in your design process for the Poty Armchair, and if so, how?
In a way, sustainability goes hand in hand with the artisanal creation process, through the use of recyclable materials, leftover buriti palm fronds, and the reuse of old and reforested wood lots. In the Poty process, our vision of connecting culturally also encompassed circular economy practices.
Photo Credit: Marcelo Calil
Congratulations on winning the SIT Furniture Design of the Year award! What is next for you and your studio? Are there any new designs you’re working on that you can tell us about?
We are dedicated to gaining space in the national scene here in Brazil and expanding our brand. New projects are being developed and will be launched at one of Brazil’s main design events – MADE (Mercado de Arte e Design), a collection that tells the story of my career and symbolizes the importance of Architecture in my evolution process. I’m also dedicated to promoting the design scene in the city where I live, which is the Capital of the country – Brasília. I’m involved in organizing the local Design Week and also other projects that will mobilize the city as a whole to embrace Design culture.
.What advice would you give to aspiring designers who want to follow in your footsteps?
I believe in authorial design as part of the constant search for more knowledge. So, I see it as a starting point to explore one’s identity and to discover the path that can be taken. The authorial design allows for a design free from excess and balanced through meanings and stories, an individual expression that reinforces collective behavior.
I understand that everything has its time and I see the importance from the moment of the idea to the conception of the project, as meticulous processes. Authorial Design for me allows for exchanges, and reciprocity is the key to promoting a true connection between the object and the person who touches, uses, and observes it.
The greatest challenges for an authorial designer lie in the manufacturing process and in securing qualified labor that can represent their idea concretely.
Particularly where I live, in Brasília, there is a shortage of skilled and affordable labor, which can serve as an incentive for new creators. I see it as an important process to plan a business plan, to build relationships with partners and suppliers, for creative and production stability, which helps to stay in the independent market.
Welcome to an interview with Paolo Ferrari, the founder of Studio Paolo Ferrari, a renowned architecture, design, and interior office based in Toronto. We are thrilled to delve into Studio Paolo Ferrari’s latest triumph—Daphne, which has recently been honoured with the Interior Design of the Year award at the SIT Furniture Design Awards.
Daphne, Toronto’s newly-opened gem, is a contemporary and eclectic reimagining of the quintessential American bistro. Sprawling across a series of distinctive rooms, it embodies both the unexpected and the familiar, merging the warmth and nostalgia of New England prep with an imaginative and grand design. The space is at once intimate and expansive, eccentric and sculptural, reminiscent of a great residence that has evolved over time. Designed to create an experience of wonder and subtle awe, Daphne is a world unto itself, awaiting discovery.
Every piece of furniture and lighting within Daphne is custom-designed, establishing it as a space truly without parallel. Ferrari’s design philosophy often draws deep inspiration from art, architecture, and cinema, and Daphne is no exception. At the heart of the project lies a cinematic duality—an immersive, Kubrick-inspired experimentation contrasted with the softness and conviviality of a Nancy Meyers aesthetic. This unexpected playfulness, coupled with timeless sophistication, redefines the American bistro experience, inspiring guests to savour both the joy of discovery and the effortless comfort of home.
Join us as we explore the creative journey behind Daphne with Paolo Ferrari, diving into the inspirations, challenges, and triumphs that have culminated in this extraordinary space.
Paolo Ferrari // Daphne (Photo Credit: Joel Esposito)
Can you tell us a bit about yourself, your professional background and what led you to a career in design?
When it was time to channel my creativity into a career I decided to enrol into OCAD to study environmental design. The key factor there was the intermingling of art and architecture with interior design. I liked the ambiguity of the courses, the range of ideas, and the way we learned to develop designs, always starting with a concept. From there, I went into different professional studios until I felt the urge to start my own practice. The rest is history.
Can you elaborate on the concept and vision behind Daphne’s eclectic and sophisticated design?
In general, our work bridges timelessness and the avant-garde, often expressing cinematic quality. We look for our interiors to have the feel of a journey, evoking the essence of materials and embracing unexpected form and details to create a balanced, human-centric world. The materials I select are presented with subtlety to preserve their natural resonance and potency—their inherent human and emotional qualities.
For Daphne we wanted to tap into the spirit of the American Bistro, yet to create something entirely reimagined. We moved away from the typical wood paneling and a heavy, dark atmosphere, and instead intentionally designed the space to evoke softness and levity. This ethos underlines Daphne, as a space that seemingly effortlessly fuses both a subtle monumentality and a convivial warmth. Daphne simultaneously embodies the unexpected while bringing in the warmth and nostalgia of New England prep.
Can you walk us through the design process? How did the design evolve from your initial idea to the final product?
Interior design is about finding ways to celebrate human existence and rituals, regardless of the typology. Each project is approached as a unique entity, allowing us to re-explore and reinvent design concepts without anchoring to fleeting trends or the post-millennial maelstrom of ephemeral imagery. However, a project like Daphne offers the ideal complexity and demand to actualize these concepts. The tension between minimalism and expressiveness serves as the core that guides our design process, naturally leading to the avant-garde in everything we do. I believe Daphne is a perfect example of our work, classic and yet a bit futuristic.
Daphne (Photo Credit: Joel Esposito)
How do the cultural references, such as Kubrick-inspired elements and Nancy Meyers’ aesthetics, influence the design?
It’s about seeming subtle cues. The Kubrick & Meyers reference ties back to an exploration of both experimentation and timelessness.
All furniture and lights were custom-designed specifically for this project, can you tell us more about this process?
Daphne is a world unto itself, awaiting discovery. The entirety of the furniture and lighting is custom-designed. We work with craftsmen from all over the world to realize our ideas, and sometimes we even commission our own wallpaper because we can’t find what we need. There is no standard process, each project is unique and rooted in our creative process.
Can you tell us about the main challenges you faced while designing Daphne? What did you learn from the process?
Building work is always challenging, whether is the demand of a project budget, timing, or site conditions. Daphne was similar in this respect, but we thrive on problem solving and it makes for a much more rewarding final product. If the process was too easy, it could get boring.
Is there a personal story or element that you included in the design of Daphne?
All of our work is deeply connected.
Daphne (Photo Credit: Joel Esposito)
Congratulations on winning the SIT Interior Design of the Year award! What is next for you and your studio? Are there any new designs you’re working on that you can tell us about?
We are very fortunate to have incredible work in progress all over the world that keeps us busy and motivated. We are currently working on new hospitality work from Hong Kong to Puerto Rico, but many of those projects are still confidential so we can’t reveal much. Recently, we opened a studio in Milan, and already working with San Lorenzo, and planning a few more projects in Europe. All very exciting! And we are super honoured to win the SIT Interior Design of the Year Awards, Thank you so very much!
What advice would you offer to up-and-coming interior designers?
Don’t look to other designers for ideas. A collage of other people’s work is not designed. Be original, and get inspired by other fields, and by life itself.
The SIT Furniture Design Award has become a platform for recognizing top-notch talent in the world of furniture and interior design. Check out the winners of the competition’s fourth edition, and discover how they achieved the perfect balance between form and function.
Switzerland – From cutting-edge designs to bold innovations, the SIT Furniture Design Award has once again showcased the most exceptional talent in furniture and interior design. With over 400 entries from professional and emerging designers from around the world, the competition was fierce, but only a few stood out as the best of the best.
The grand winners of the SIT Furniture Design Award 2024 are:
Furniture Design of the Year: Poty Armchair by Stdio Lucas Caramés
The Poty Armchair draws inspiration from the exuberant Craft Culture of the Delta Parnaíba, merging contemporary comfort with traditional local elements. Crafted with a solid wooden structure, its notable feature is the carnauba straw weave enveloping the chair, a nod to the region’s artisanal tradition. This blend of modern design with cultural heritage creates a visually stunning and culturally rich piece, providing both physical and sensory comfort.
Interior Design of the Year: Daphne by Studio Paolo Ferrari
Daphne, located in Toronto, reimagines the quintessential American bistro with a contemporary and eclectic touch. Custom-designed furniture and lighting enhance the space, which balances the unexpected with the warmth of New England prep. Inspired by art, architecture, and cinema, Daphne embodies a cinematic duality, inviting guests to explore and experience the joy of discovery.
Emerging Furniture Designer of the Year: Otto Lounge Chair by Jenna Jang, Art Center College of Design
In response to the evolving workspace dynamics post-pandemic, the Otto Lounge Chair is designed to adapt to both home and office environments. With refined cushions and oak wood, it brings comfort to any space. Its versatile design allows it to function as both a lounge chair and a workspace accessory, reflecting the changing needs of modern life.
Other winners in Furniture Design include JG Neukomm Architecture for The Suffolk Gallery Bench, Noriko Hashida Design winning with Enots Floor Chair, La Firme with Sarto Series and Street + Garden being recognized for Honeysuckle Park Newcastle Australia. In Interior Design categories, the recipients include Messana O’Rorke teams design of the West 53rd Street Apartment, Wow Atelier for the Best Friends: Roadhouse & Mercantile, A-01 (A Company / A Foundation) winning with the Black House (Casa Negra) and No Footprint House (NFH) and HDC Design with Meet the Bund (Xintiandi). Each winner in their respective category reflects the perfect combination of form, function, and aesthetic appeal that sets them apart from the rest.
Among the distinguished jury members were Alain Gilles, Founder and Lead Designer at Alain Gilles The Studio from Belgium; Bo Zhang, Artist & Chief Designer at Desz Office from New York; Niko Kapa, Design Director at Studio Niko Kapa from the United Kingdom; Christina Chen-Chiao Kuo, Creative Director & Founder of Kuuo Living Limited from Canada; and Nataly Bolshakova, Founder and Lead Designer at Bolshakova Interiors, representing Ukraine. These individuals, representing just a portion of the esteemed panel, contributed their expertise to recognize outstanding design talent on a global scale.
Astrid Hebert, the co-founder of the SIT Furniture Design Award, emphasized the global significance of the event, highlighting the diverse geographic origins of the participating designers and the international composition of the judging panel. “Recognizing both emerging and established designers from around the world underscores our commitment to inspiring innovation in furniture and interior design. This year’s winners exemplify the global impact of design creativity and the collaborative spirit that drives our industry forward.”
All the winners can be viewed in the winner’s gallery on the SIT Furniture Design Award website (sitaward.com).
The SIT Furniture Design Award, a prestigious platform celebrating and sharing exceptional furniture design, is thrilled to welcome two esteemed design leaders to its esteemed jury: Alain Gilles and Bo Zhang. The SIT Furniture Design Award champions creativity, innovative vision, and accessibility within the global furniture design community. By recognizing and amplifying the work of talented designers, the award fosters a vibrant and inclusive design landscape.
Alain Gilles, founder and lead designer of The Studio, brings a wealth of experience to the jury. After a successful career in finance, he followed his passion for design, earning a degree in Industrial Design. Today, he collaborates with leading international furniture brands, shaping trends through his unique approach to product design, furniture design, art direction, and interior architecture.
Bo Zhang, artist and chief designer at Desz Office, is a master’s graduate in Furniture Design from the Savannah College of Art and Design. Recognized by UNESCO as one of the “100 Future Artists,” Bo’s innovative and original designs have garnered international acclaim. His work graces renowned platforms like Design Miami, 1stDibs, and Singular Art, capturing the attention of influential design media.
Gilles and Zhang join a distinguished jury already featuring design luminaries like Christina Chen-Chiao Kuo of Kuuo Living Limited, Nataly Bolshakova of Bolshakova Interiors, Steven Yeung of Kar, Zhou Yi of Dayi Design, and Lilian González-González of Anáhuac University of México and the World Design Organization. A full list of jury members can be found on the SIT Furniture Design Award website.
“We’re excited to have Alain Gilles and Bo Zhang on board this year,” says Astrid Hebert, Program Director of the SIT Furniture Design Award. “Their design expertise is fantastic, and their global outlook will be a huge help in choosing the most creative and inspiring furniture designs. With such a talented jury, I can’t wait to see who wins – this year’s competition is looking amazing!”
The SIT Furniture Design Award is accepting submissions for its annual competition, but time is running out! Aspiring and established furniture designers are encouraged to submit their work by the deadline of April 14, 2024. Don’t miss this opportunity for global recognition – visit the SIT Furniture Design Award website to learn more and apply today.
Get ready for a design-packed March! From bustling festivals to chic showcases, this month is bursting with creativity. We’re diving into three standout events that promise excitement, innovation, and inspiration. Whether you’re in Austin, London, or Paris, there’s something special waiting for you. Join us as we explore the SXSW Creative Industries Expo, London Design Week, and MATTER and SHAPE. It’s going to be an unforgettable journey through the world of design!
South by Southwest, abbreviated as SXSW and colloquially referred to as South By, is an annual conglomeration of parallel film, interactive media, and music festivals and conferences organized jointly that take place in Austin, Texas, United States, March 10-13. Against this backdrop of innovation and creativity, the SXSW Creative Industries Expo stands as an inspiring showcase of industry disruptors, creative innovators, and technological masterpieces.
This four-day event promises to ignite passions, foster collaboration, and unveil groundbreaking discoveries that will shape the future of creative industries worldwide.
The Creative Industries Expo is the epicenter of cutting-edge technology, design, social good, health, wellness, and beyond. Mindfully curated by the SXSW team, the Expo brings together exhibitors from across the globe to showcase their transformative ideas and visionary projects. From startups to established brands, attendees will have the opportunity to explore the latest trends and innovations propelling industries forward.
Spanning various pavilions, each dedicated to a distinct theme, attendees will embark on a journey of discovery and inspiration:
Innovation Pavilion sponsored by Remote:
Experience a collection of disruptors and thought leaders at the forefront of their industries. From groundbreaking technologies to creative pursuits, the Innovation Pavilion showcases diverse trends defining tomorrow’s world.
Global Pavilion sponsored by Los Cabos:
Explore the full spectrum of worldwide initiatives, trends, creators, and tastemakers. Immerse yourself in a hands-on environment where ideas from across the globe converge, offering insight into the future of international industries.
Social Impact Pavilion:
Discover businesses dedicated to making a positive impact socially, economically, and environmentally. From sustainable solutions to community-driven initiatives, these exhibitors are paving the way for a better world.
Health + Wellness Pavilion:
Embark on a journey to improve quality of life through innovative products, services, and ideas. With a focus on holistic well-being, exhibitors in this pavilion are on a mission to make the world healthier, happier, and more balanced.
Entertainment Pavilion:
Step into the world of film, music, gaming, and more. From designers to artists, this pavilion showcases trailblazers who captivate audiences with their creativity and innovation.
Beyond the pavilions, attendees can explore various areas of interest designed to enhance their experience:
Next Stage sponsored by Globant:
Engage in discussions and ideas from exhibiting brands, connecting with innovative ways to do business. Session speakers share their expertise, shaping the future of their industries.
Podcast Lounge:
Immerse yourself in unique podcasts centered on conference programming. From social good to gaming, technology to music, the Podcast Lounge offers a diverse array of content to enjoy.
Networking Lounge:
Forge meaningful connections with industry professionals, friends, and colleagues in a collaborative and creative environment.
The Hub:
Relax, recharge, and catch up on emails while watching simulcasts of Featured and Keynote speakers. The Hub serves as the ultimate space to unwind and stay connected throughout the Expo.
This year, the conference is giving the public free admission to the final day of Austin Industry Day. According to a release, the Expo “showcases some of today’s most forward-thinking brands and technology. The Expo shows how creativity is fueling progress across all industries, from entertainment and health to social impact and more.”
The SXSW Creative Industries Expo is a celebration of creativity, innovation, and limitless possibilities. Join us as we explore the future of creative industries and embark on a journey that will shape the world for generations to come.
London Design Week is one of the key design events of 2024. Being held from March 11 to March 15, 2024, this show is set to be the center of creative ideas, inspiration, discussion, and insights. Located at the Design Centre in Chelsea Harbour, London, the show will be open for visitors from 10:00 to 18:00.
London Design Week highlights include collaborations with international tastemakers such as Bunny Williams with Paolo Moschino, Jennifer Manners with Salvesen Graham, Kit Kemp with GP & J Baker, and Giles Deacon with Sanderson Design Group.
There is a throwback with a Palm Beach design direction which showcases old-world charm mixed with a tropical feel. A connection to nature has been a recurring theme in design, but this season there is an enchanting twist with the aptly named Enchanted Isle design direction which showcases decorative and dreamlike fabrics and wallcoverings that take the eye on a journey to imaginary places.
Each day will be full of events. More than 100 will be curated to engage, inform, and spark the imagination. For example, on March 11, 2024, the David Hunt Lighting team will welcome visitors to their showroom to present a new collection of lighting pieces. Attendees will have the chance to discover the story behind the 300-year-old heritage brand and its range of hand-crafted products. Another event that will take place on March 13 is the discussion between Flora Soames and Kathryn Ireland. They will reflect on the concept of home, and explore the people, places, and objects that have shaped their approach. The following day, on March 14, there will be a Quote & Curate session with Angela Murray that will focus on the merits of including art within interior design projects.
Besides the above-mentioned events, there will be more that will take place during the five days of the design show. There will be several free events in the Access All Areas schedule to enjoy in and around the showrooms, from hands-on demonstrations, meet the meet-the-designer sessions to the debut of creative collaborations. Daily design discovery tours will give visitors the inside track on the most talked-about products at the show.
Adding another layer, pop-up House Guests in situ in Design Avenue will offer more ways for visitors to encounter world-class talent. Some of the most renowned design names are as follows:
In conclusion, London Design Week 2024 promises to be an event offering a dynamic platform for creative exchange and inspiration. With its lineup of well-known figures, thought-provoking discussions, and immersive experiences, the Design Centre in Chelsea Harbour will be a center for creatives from around the world. The diverse program of events ensures that every visitor will find something to spark their interest and give them food for thought.
There are few things as magical as imagining how an object can support us throughout our lives, complementing not just our days but the spaces we use daily. We believe that furniture pieces are more than just objects, they help create our most intimate spaces and truly are parts of our lives. We want to see a future full of incredible new pieces, which is why we (selfishly) took the time to put together a list of some of the best majors in furniture design around the world.
The College of Art and Design offers students a spot where the worlds of art, design, and technology intersect. To tap into their creativity and personal interests, their students learn everything from centuries-old and contemporary methods of producing fine art to the latest in digital media, providing a space where everyone can explore themselves.
Their furniture design program comprises the teaching of various methods, such as carpentry and metal work, promoting the development of the students’ technical abilities and the enhancement of aesthetics. This is a place where what you already care about is not just put to the test but is also given time and tools to grow.
The Rhode Island School of Design is an old college known for it’s design programs that challenge its students to question what is already set on motion, therefore helping evolve the design sphere. Their furniture design program is very sought-after since it not only covers the technical side of the field, such as working with materials and crafting a design but also promotes the study of liberal arts and of the problems society faces daily.
Students are invited to face some of the major challenges of our times and to come up with conscious designs that can help find an answer to some of them. By not losing sight of economic conditions, lifestyles, sustainability, and cultural issues, this program prepares designers to deal with any situation that may arise – and always with the coolest furniture by their side.
The Savannah College of Art and Design has been talked about several times in D5, as many of our interviewees have a past here – interior design, architecture or furniture design, this university has produced top professionals in all areas. Obviously, SCAD deserves to be mentioned here Its furniture design program is considered one of the best in the world for its ability to teach students how to elevate the everyday to the extraordinary.
The Furniture Design program works like a studio, workshop, PR, etc, where you are given everything you need to come up with your very own collections where your personality and taste are the stars. Not only do the materials and tech make this option quite a flirty one, but the quality of the faculty is also out of this world, so nothing will prevent you from being able to succeed in the competitive furniture design sphere if you want it.
The École Superieure des Arts Décoratifs is located in Paris and has been around for more than 250, being one of the greatest in helping to enrich society through art and design. The programs support students while they navigate through the complicated artistic and creative world, preparing them for when they must face it alone – well, not alone but with all the knowledge and strength they got from this college.
Their Furniture Design courses are enriched with scientific theories, history, practical methods, and plastique arts to make sure that their students get everything they need to bring their ideas to life. The student is made aware of the problems and beauties of our times, as well as the influences of the past. They are taught how to thoroughly read contexts, users, and spaces, how to bring all of these results to the workshop, and how to use this to craft their art and find answers to their questions.
The prestigious Pratt Institute is known for its inquisitive and interdisciplinary approach to teaching, and although it does not have a Furniture Design major, it gives classes and, in the end, a certificate to those who want to further their abilities.
Pratt Institute’s Furniture Design Certificate is meant for those who already have foundations in furniture design, including a degree. It gives students the tools to not only navigate the design world but also to grow in it, teaching both practical and technical methods. On another hand, it also delves deeper into the design subject, exploring a variety of structures and technologies that might not have been cut in a previous studying setting.
The University of the Arts London simply describes itself as “a world-class university, shaping the creative industries worldwide”, and continuously strives to achieve this through its many majors in the design and art fields. Central Saint Martins is one of the university campuses, and it is here that the Product and Furniture Design major takes place.
This major focuses on the technical methods of the field, making sure to pass them on to the students. At the same time, creativity and critical exploration also get the spotlight here, as well as the study of the impacts of design on society. On the other hand, the impact of the economy, cultures, political contexts, and environmental challenges are also seen as key parts of any designer’s education. Here, you’ll learn the wants and needs of real people, plus the how and why your work matters.
The West Dean School of Arts is a college that puts its focus on the practical side of design, as well as on the academic. It has a wide variety of majors, all in the field of design, and can be best described as an artistic community in a rural setting with a rich artistic heritage.
Its Furniture Degree in Arts is designed around the study of woodworking theory and craft skills, giving students the foundation to follow up on their dreams. The course gets progressively more challenging as time goes on, which allows students to further explore different aesthetics and their tastes. This is the perfect setting for someone who is looking for quality time in a rich cultural setting, where the art of making furniture is almost embedded in the walls of the school.
The Minneapolis College of Art and Design was founded in 1886 and is recognized as one of the best arts and design colleges in the world. Its education system relies on its faculty members recognized in their fields. and on their innovative approaches to education, making former students some of the best in the design world.
The Furniture degree focuses on a multidisciplinary approach, requiring students to collaborate with other majors while also studying humanities, sciences, design’s technical methods, and tapping into their creativity. On the other hand, the curriculum offers the chance to complete a project start to finish, as it educates students on traditional crafting methods and the professional side of the design sphere, such as building your studio and presenting your work to clients.
Oregon’s School of Art and Design is a creative hub of artists and designers which promotes the students to think, make, see, and question. The college combines old and new technology to bring new ideas into the various creative fields it covers, giving their students everything they need to succeed in a professional environment while still bringing their own taste into the equation.
The Product Design degree offers students a glimpse into what their future could look like by introducing them to subjects such as Digital Art, Sculpture, everything Design, and Drawing. Here, the students can work directly with product design partners with the university, further impacting the students and allowing them to grow. If liberal arts studies, interdisciplinary creative work, and collaboration give you goosebumps, then this might just be for you.
At the Herron School of Art and Design, students are challenged to collaborate with businesses, non-profits, schools, and museums, among many other partners, to make sure their students get all practical sides of the game: production and business.
Anyone who wishes to own a studio one day should consider this college, as its contemporary woodworking, the foundation of the entire program, will give them the tools necessary to achieve their goals while also giving the rightful importance to sustainability. Problem-solving skills, learning how to go from conception to completion, function, aesthetics, assembly, mass-production or unique pieces… what else could a design student want?